ou would think, after so long a silence, that I would have something more profound to say. I fear I must disappoint you. There are many reasons I have not been blogging, some of them trivial, some of them more compelling, but I don’t think any of them have produced in me any new wisdom or wit.
My job has me writing a lot each week: weekly newsletters, press releases, editorials, forwards and introductions to books—that sort of thing. I’ve also been participating in a weekly short fiction writing group (500 words max, on an assigned topic, in a very short time limit); a couple of the pieces have been recorded and aired on a public radio station in Kentucky, though I feel shy about posting any of them here. I’m not entirely sure why.
However, all this writing, coupled with an over-eager participation on Facebook, means my urge to simply write found other outlets; and as I was not moved by any great need to expound at length on any subject, the blog languished. Since May of 2010, I have written only five blog posts.
The big event last year was of course the illness and death of my friend Lee, my dear friend Adam’s wife. I am not sure what to say about it just now—a few sentences couldn’t begin to express how it affected me; I doubt that a few hundred pages could do much better. What shocked me, though, was the depth of the grief I experienced. Even though I could understand and rationally explain what her death was touching in me, on an emotional and spiritual level I found myself quite unable to cope with the intensity of the pain and loss I was experiencing. And it set off a recurrence of the terrible depression that nearly took my life a decade ago; the only difference is that now it is more dangerous, since I am far less willing, or perhaps able, to tolerate it: It must stop, I told myself, and stop soon, one way or another. There is no longer any thought of living with it chronically.
In the 1920s, Carl Jung coined the word synchronicity, which he described as “meaningful coincidences” and as the “acausal connecting principle.” In rapid succession I had my spiritual worldview rocked, ran painfully into walls where I had previously experienced open vistas, discovered some remarkable Chinese herbs that work far better than any antidepressant I have ever encountered, began questioning my purpose in life, and found myself in the office of an astonishingly gifted psychotherapist pouring as much of my life’s story as I could into a fifty-minute session. Meaningful coincidences indeed! In the space of two months it feels as if much has changed in me forever.
I am eager to see what this next phase of my life brings. And I thought it might be useful to start blogging again, not only to keep you all in the loop, as it were, but also to help me clarify my ideas. As E.M. Forster put it so succinctly, “How can I tell what I think till I see what I say?”
You may have noticed that the blog has a new design. From the first I’ve called it “Notes from the Dreamtime,” but I’ve never really talked about where the name came from.
The term “Dreamtime” is a translation of Altjeringa or Altcheringa (it may also be translated “the Dreaming”). Altjeringa is a word in the Arrente language spoken by aboriginal Australian tribes living in the Northern Territory, around Alice Springs. The traditions and lore of Australia’s indigenous peoples belong to what may be the oldest continuous culture on Earth—around 50,000 years.
The Altjeringa is both a sacred “once upon a time,” a time out of time when ancestral totemic spirit beings formed all of creation, and the spiritual realm itself. Anthropologist and historian W.E. H. Stanner rather saliently called it “the Everywhen,” since it is experienced as a confluence of past, present, and future. Indigenous Australians consider the Everywhen of the Dreaming to be objective, while linear time was considered a subjective construction of waking consciousness of one’s own lifetime—the precise opposite of our usual way of looking at things. The Dreaming is the sacred, timeless, creative ground of being—and the continual source of all things that are manifest in our world.
So that’s what I hope to write about. There are great cobwebs in my brain, and heart, and I hope to use these pages to help sweep them away and create room for new things to come forth. My great error has been in thinking that I needed to have Something Important to Say; the truth is, all I need is to tap into the Dreamtime, and talk about what I find there.
millennia of shamans long before the psychedelic ’60s. It was supposed to help get the mystically inclined into the right frame of mind, to enhance feeling of spirituality. Does it? Researchers tested the drug on 36 subjects in 2006. Thirty of the 36 attended two separate 8-hour drug sessions, at two-month intervals. On one they received psilocybin, on another, methylphenidate (Ritalin), as a control since it’s well known that it’s not a drug that boosts spiritual feelings.
But after three decades of producing public artwork, this is how Donna Henes describes herself. “It’s been 33 years now and I see myself as a shaman… a person who intercedes between the community and the spirit world. The shaman goes back and forth to make sure that the community — in this case, NYC — is connected.”
a squat, roughly carved wooden deity beloved here by those who believe in his power to grant favors and feared for punishing those who do not pay him proper respect. Maximón, pronounced maw-she-MAWN, occupies a space between the polar tugs of Guatemalan spiritual life, Catholicism and evangelism, neither of which approves of him. His origins are a mystery. Some say he is a modern version of a long-forgotten Mayan god. Others say he represents a martyred holy man. Still others merely shrug their shoulders.
of an abandoned house in Chistochina, he thought about grabbing a pistol and shooting himself. That’s when a friend showed up and invited him to an unusual therapy program in Anchorage.
Notes from the Dreamtime 
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