Scientists say the Earth is humming. Not just noise, but a deep, astonishing music. Can you hear it?
By Mark Morford
San Francisco Gate
This is the kind of thing we forget. This is the kind of thing that, given all our distractions, our celeb obsessions and happy drugs and bothersome trifles like family and bills and war and health care and sex and love and porn and breathing and death, tends to fly under the radar of your overspanked consciousness, only to be later rediscovered and brought forth and placed directly in front of your eyeballs, at least for a moment, so you can look, really look, and go, oh my God, I had no idea.
The Earth is humming. Singing. Churning out a tune without the aid of battery or string or wind-up mechanism and its song is ethereal and mystifying and very, very weird, a rather astonishing, newly discovered phenomena that’s not easily analyzed, but which, if you really let it sink into your consciousness, can change the way you look at everything.
Indeed, scientists now say the planet itself is generating a constant, deep thrum of noise. No mere cacophony, but actually a kind of music, huge, swirling loops of sound, a song so strange you can’t really fathom it, so low it can’t be heard by human ears, chthonic roars churning from the very water and wind and rock themselves, countless notes of varying vibration creating all sorts of curious tonal phrases that bounce around the mountains and spin over the oceans and penetrate the tectonic plates and gurgle in the magma and careen off the clouds and smack into trees and bounce off your ribcage and spin over the surface of the planet in strange circular loops, “like dozens of lazy hurricanes,” as one writer put it.
It all makes for a very quiet, otherworldly symphony so odd and mysterious, scientists still can’t figure out exactly what’s causing it or why the hell it’s happening. Sure, sensitive instruments are getting better at picking up what’s been dubbed “Earth’s hum,” but no one’s any closer to understanding what the hell it all might mean. Which, of course, is exactly as it should be.
Because then, well, then you get to crank up your imagination, your mystical intuition, your poetic sensibility — and if there’s one thing we’re lacking in modern America, it’s … well, you know.
Me, I like to think of the Earth as essentially a giant Tibetan singing bowl, flicked by the middle finger of God and set to a mesmerizing, low ring for about 10 billion years until the tone begins to fade and the vibration slows and eventually the sound completely disappears into nothingness and the birds are all, hey what the hell happened to the music? And God just shrugs and goes, well that was interesting.
Or maybe the planet is more like an enormous wine glass, half full of a heady potion made of horny unicorns and divine lubricant and perky sunshine, around the smooth, gleaming rim of which Dionysus himself circles his wet fingertip, generating a mellifluous tone that makes the wood nymphs dance and the satyrs orgasm and the gods hum along as they all watch 7 billion confused human ants scamper about with their lattes and their war and their perpetually adorable angst, oblivious.
But most of all, I believe the Earth actually (and obviously) resonates, quite literally, with the Hindu belief in the divine sound of OM (or more accurately, AUM), that single, universal syllable that contains and encompasses all: birth and death, creation and destruction, being and nothingness, rock and roll, Christian and pagan, meat and vegetable, spit and swallow. You know?
But here’s the best part: This massive wave of sound? The Earth’s deep, mysterious OM, it’s perpetual hum of song? Totally normal — that is, if by “normal” you mean “unfathomably powerful and speaking to a vast mystical timelessness we can’t possibly comprehend.”
Indeed, all the spheres do it, all the planets and all the quasars and stars and moons and whirlpool galaxies, all vibrating and humming like a chorus of wayward deities singing sea shanties in a black hole. It’s nothing new, really: Mystics and poets and theorists have pondered the “music of the spheres” (or musica universalis) for eons; it is the stuff of cosmic philosophy, linking sacred geometry, mathematics, cosmology, harmonics, astrology and music into one big cosmological poetry slam.
Translation: You don’t have to look very far to understand that human beings — hell, all animals, really — adore song and music and tone and rhythm, and then link this everyday source of life straight to the roar of the planet itself, and then back out to the cosmos.
In other words, you love loud punk? Metal? Jazz? Deep house? Saint-Saens with a glass of Pinot in the tub? Sure you do. That’s because somewhere, somehow, deep in your very cells and bones and DNA, it links you back to source, to the Earth’s own vibration, the pulse of the cosmos. Oh yes it does. To tap your foot and sway your body to that weird new Portishead tune is, in effect, to sway it to the roar of the universe. I mean, obviously.
At some point we’ll probably figure it all out. Science will, with its typical charming, arrogant certainty, sift and measure and quantify this “mystical” Earthly hum, and tell us it merely comes from, say, ocean movements, or solar wind, or 10 billion trees all deciding to grow a quarter millimeter all at once. We will do as we always do: oversimplify, peer through a single lens of understanding, stick this dazzling phenomenon in a narrow category, and forget it.
How dangerously boring. I much prefer, in matters mystical and musical and deeply cosmic, to tell the logical mind to shut up and let the soul take over and say, wait wait wait, maybe most humans have this divine connection thing all wrong. Maybe God really isn’t some scowling gay-hating deity raining down guilt and judgment and fear on all humankind after all.
Maybe she’s actually, you know, a throb, a pulse, a song, deep, complex, eternal. And us, well, we’re just bouncing and swaying along as best we can, trying to figure out the goddamn melody.